Tag Archive | neighbors

Roadkill Tetrazzini

 

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There’s one stretch of road, on the way up the canyon to town, where wild turkeys often cross. They feed in the field below, and roost in trees uphill. In spring we watch the males’ magnificent displays as we cruise slowly by. Those of us who live here are pretty careful driving that stretch, though some of us have joked for years about hitting one for Thanksgiving dinner.

Yesterday, driving home from errands, feathers still flew as I approached the body; must have been a vehicle one or two in front of me that hit her. The bird, still warm, was missing her head. I put her in the back seat and drove home, thinking Do I really want to do this? But at least this way, I had the choice to butcher her, or throw her off the canyon for lions if I decided not to try.

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I tied her feet to a juniper limb in the driveway, and pulled some skin off to assess the damage. One side was pretty thoroughly smashed, but the other side looked good.

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After removing the tail, wings, and separating the body from the hanging legs, I texted this picture to David, my go-to hunter, captioned What now? He lives for turkey season. I knew it would get his attention. I had a lot of questions.

I wondered, for example, if it would ruin the meat if I got some of the green guts on it. And what tool would cut off the feet? And how to begin cutting up the body. Also, if I got turkey offal or blood into the splits in my fingertips, would I get sick and die? By the time he called me, I had the body rinsing in the sink. David talked me through the rest of the process.

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He explained about bloodshot meat: The breast on the hit side was deep red, shot through with blood that would make its flavor too strong for me, but, he said, I’ll bet you have two dogs that would love to eat that! Indeed I do.

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I filleted the breasts and the tenderloin off the ribcage, and put the carcass into the dutch oven full of water to make stock for the dogs. The two pieces on the left were damaged in the collision and deep red throughout. 

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I chopped up the bloodshot breast and loin and threw them in the skillet with some olive oil, then wrapped the good meat in freezer paper. 

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Cooked, it looked pretty good! I tried a tiny crisp piece, and it wasn’t bad… but it was strong and different, and by then I’d had enough of dead turkey for the day.

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While the dog food sizzled and the stock came to a boil, I went back outside to deal with the legs. First, as David told me where to bend the leg, I cut off the shattered thigh with the knife, then used my Felco garden pruners to cut both legs off the feet.

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After rinsing the legs clean in cold water I wrapped them, too, and popped it all in the deep freeze. I wasn’t sure what I wanted to do with the meat, but knew I didn’t feel like eating it right then. Then, outside to sort the carnage.

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I suspected that a young naturalist friend might want the feet,  good wing and remaining feathers, so once I’d wrapped the guts and bloody feathers up in the newspaper that had caught the drips, I poured about an inch of kosher salt in a brown paper bag, and stood up all the parts, weeping ends down in the salt, to preserve them til I could get the whole deal to her aunt’s deep freeze. Such beautiful feathers! And the little curled feather ruffs that became of the skin that pulled off so easily. Who knew?

My neighbor with the milk cows gave me some kefir grains the other day. I gave up making kefir last spring because it just kept getting ahead of me; I couldn’t use it up fast enough to justify the cost of the milk I ended up wasting. This morning I transferred the grains for the first time. The kefir rollercoaster begins again! She said, I use it for everything I’d use yogurt or sour cream for. And I thought, aha! Turkey tetrazzini! A childhood comfort food with a wild twist. When my houseguests arrive this weekend, guess what we’ll have for dinner?

Maybe. We’ll see what they think of the idea of roadkill tetrazzini. Either way, I’ve practiced my homesteading skills, proven to myself I can be resourceful in a way I’ve resisted in the past (I have a friend who routinely eats roadkill, and I have balked when it’s been offered), and made use of an otherwise wasted life. And the dogs are loving their treats. Mother forgive us for our speed, I pray every time I pass a dead animal in the road. We don’t need to move so fast.

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The black cat survived his third Halloween. He is so precious! In for the night, awaiting dinner.

Puzzling Proverbial Politics

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It doesn’t matter what the puzzle is: clicking that last piece into any wooden jigsaw puzzle is supremely gratifying.

Puzzle season is upon us! We are trading them amongst ourselves as we did last winter, and emailing each other images of which one we might buy this year. In our informal club each household seems willing to contribute one puzzle per winter. I borrowed this one from a friend none of us suspected had puzzles. “Netherlandish Proverbs,” a 16th century oil-on-oak painting by Pieter Breughel the Elder, depicts Dutch proverbs of the time.

Artifact Puzzles includes a key to 60 of the sayings, several of which (To cast pearls before swine) are familiar to me, and many brand new to me seem particularly relevant to our times, like To tie a flaxen beard to the face of Christ.

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Pieter Breughel’s “Netherlandish Proverbs” as rendered by Artifact Puzzles. The painting is 400 years older than I am. The proverbs… timeless.

Our favored wooden jigsaw puzzle maker is Liberty Puzzles in Boulder, but Artifact will do in a pinch. I’ve only done two, and I don’t like them as well because they have fewer whimsy pieces, and the cut of their pieces isn’t as intricate or interesting.

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Whimsy pieces in the two Artifact puzzles I’ve done are both fewer and less intricate than in Liberty puzzles.

Liberty puzzles trick you on the edges; Artifact puzzles differ in the nature of the deceit. While  all of the edge pieces look like edge pieces, there were at least seven corner pieces in this puzzle, and numerous flat-edged pieces that are not edges, that abut each other various places in the center of the puzzle.

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The painting’s original title was “The Blue Cloak,” from the proverb “She puts the blue cloak on her husband,” meaning she deceives him. Notice the three pieces in the upper right, where one seeming-corner meets two seeming-edge pieces. This particular trickery seems unique to the Artifact brand.

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“To carry the day out in baskets” means to waste one’s time, as some might think I am, doing these puzzles.

Last winter I sat at my table on a cold afternoon and a neighbor crept inside the front door without knocking, without calling first, without the dogs noticing his arrival. In the second after we all heard the front door squeak, they crashed open the door to the mudroom nearly smashing it into his face. “What are you up to?” he asked, then peered over my shoulder. “You’ve got too much time on your hands,” he said. I was alarmed by his entry and annoyed by his judgement.

These wooden jigsaw puzzles are a meditation for me. The mental agility required to assemble them gives several aspects of my brain good exercise, pattern recognition, color discernment, and memory top among them. Then the image itself offers another layer of awareness: is it a classic painting, like this one, or a Hiroshige waterfall? Or is it a contemporary image, is it an antique print (and of what? butterflies, or a historic locomotive?), does it conform to a rectangular shape or take the organic shape of a jaguar; and what thoughts does that image stir, what feelings, both when I first see it, and as I move through the pieces over time? There is never nothing to think about when working one of these beautiful puzzles, each a work of art in its own right.

And it affords, above all, the gift of concentration. For while my mind may roam pondering proverbs, or mulling mythology while assembling a mermaid, or considering the effects of climate change on the Netherlands, or the plight of jaguars; while a memory may be sparked by a porpoise-shaped whimsy piece or a prairie dog (or is that a meerkat?), the rest of the world falls away. The mind is given the exercise it loves, and the spirit is free to to untether and rest beyond thought, observing the layers the mind plies while it fits together cleverly cut pieces of wood and color.

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“To tie a flaxen beard to the face of Christ” meaning to hide deceit with Christian piety. The proverb feels relevant to our current situation on several levels. Beyond the obvious, it tells us that 16th century Christians clearly did not see Jesus as a blond man, touching off in me thoughts about racism, xenophobia, and hypocrisy. 

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Five proverbs listed on the puzzle key are represented here, and at least one more discerned only from researching the painting online.

The central proverb in this image is To be unable to see the sun shine on the water, meaning to be jealous of another’s success. The fellow above is throwing money into water, i.e., wasting it. To his left, the bottoms poking out a hole in the planks represent a couple of proverbs, one stated on the puzzle key, It hangs like a privy over a ditch: it is obvious; and one uncovered hereThey both crap through the same hole, meaning they are inseparable comrades. Heehee! Under the privy (and the money) is Big fish eat little fish, meaning that whatever people say will be put in perspective according to their level of importance, or “Those in power have the power.” This makes me squirm a little as I consider the looming transfer of power in Our Nation’s Capital. Add to that the crumbling brick wall, A wall with cracks will soon collapse, or Anything poorly managed will soon fail…

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“To have the roof tiled with tarts” meaning to be very wealthy. Perhaps soon the White House will be tiled with tarts. Hmmm. At whose expense?

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While doing the puzzle, I noticed a few images not identified on the key, like this fellow kneeling at a fire, so I looked up the painting online. The central proverb here is “To not care whose house is on fire as long as one can warm oneself at the blaze,” meaning to take every opportunity regardless of the consequences to others. Hmmm. 

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Like the above man at fire, the fellow “sitting on hot coals” wasn’t in the key either. He is being impatient. Above him is one “catching fish without a net,” meaning he profits from the work of others. 

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“To bang one’s head against a brick wall.” We all know what that means!

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The details of expression in the painting are particularly well captured with this poor, morose boy. “He who has spilt his porridge cannot scrape it all up again,” or as I learned it, don’t cry over spilled milk: what’s done cannot be undone.

“Netherlandish Proverbs” was a fast, fun and thought-provoking puzzle, however burdened with nincompoops. I’m glad to have passed it on. I look forward to the beauty, surprise, and complexity of the next puzzle, next year, something bright and wild and full of life.

 

 

 

 

 

 

 

 

Summer Trees

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Mindfulness teaches us to be with all things as they arise, and let them pass through us in the moment, and move on. May I remember to be with both despair and joy as they come, and let them play on through.

The fruit trees are generous this summer, and none more so than the apricot. Throughout the valley, peaches, pears, apples, all ripen extravagantly. A banner cherry harvest for the commercial orchards, and I’ve enough in the freezer for three pies thanks to Ellie and her prolific sour cherries, tiny shiny scarlet globes best pitted with a simple squeeze between fingers and gentle tug on the stem, too small for the pitter. No one has seen a fruit year like this for a very long time. Everyone is grateful.

Everyone is rolling in apricots. Neighbors are having a cookout to lure people to take away theirs. Suzi is generously drying the first round from my tree, and I’ve just picked the third. As many remain on the tree as I’ve already harvested. I’m staying just ahead of the birds; they peck the very ripest and every few days I pick what’s almost perfect and finish ripening on the counter. I get lucky and find some at their peak unpecked.

The more I pick the more I see I never saw before. Fred tried to warn me: Don’t be greedy, he said, and encouraged me weeks ago to thin them to a fist width apart. I couldn’t do it. I did thin them some, a couple of times, as I did with the peaches both before and after he gave me a hands-on lesson. Eight or ten peaches on a limb this size, he said. Maybe I should go thin them again, if the apricots are any indication. Which, of course, they are. I’m so grateful for his pruning, his advice, his instruction.

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I have three times more apricots in one wooden bowl than I’ve ever had on this tree in all its fifteen years. (When did I plant it? Fifteen? Twenty years ago? Somewhere in between? I’m grateful I can no longer remember everything. It makes interacting with people easier, but it doesn’t really help in the garden.) Fresh apricot recipes are stacking up in my recipe folder. The tortoise and the mule deer eat those that drop, or that I throw over the fence if they’re scarred or nibbled or too green, or if there’s a wasp feasting inside.

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After the third harvest... still plenty for people and other animals.

The apricot tree after the third picking… still plenty ripening for people and other animals. Never in any of my gardens through the years have I seen such bounty.

I’ve harvested three big bowls and one small one in the past week, with more to come. A generosity of apricots. And still they glow in abundance on the bright green tree, strolling grey storm clouds behind them. An uncontrollable satisfaction rises in my soul, the joy of a gardener. Because of me, the time, the water, the help tending through the years, this fruit tree thrives and gives back lavishly this summer.

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Another summer tree didn’t fare so well last week, a big juniper. We had a knock-down drag out lightning storm. People were talking about it for days. It was right on top of us, some said. I felt the electricity, said others. It was SO loud! more exclaimed. At Tai Chi, Deborah said The whole sky lit up, you could see every leaf, and there was a bolt through it, and in the bolt a fireball. Twice I saw that. I saw it and thought, Did I really just see that? And then it happened again.

In twenty-four years in this valley I haven’t experienced a lightning storm quite like that. An occasional strike too close for comfort in a wide-spread or fast moving cell. Once while I was standing in my open French door lightning struck a juniper not far in front of me and knocked me back a step. But never an intense cluster for fifteen minutes right on top of the neighborhood, one hard bolt after another, sky lighting up and crashing in the same instant, over and over. The dogs pressed close on the couch where I lay watching a movie. Then it passed, and we all started to relax.

After awhile I smelled smoke. Oh no! From the tower I scanned all directions and could not see flame or flickering, but the strong smell blew on a steady wind from the south. I called dispatch and learned that a truck was on the way to a burning tree somewhere in the next block.

I couldn’t sleep for hours. I climbed the tower again and checked the air before turning in, and found it sweet and pure.

It turned out Cynthia had also smelled smoke, ventured out with a lantern toward the canyon, and found the burning tree, initiating the chain of calls that led the brave fire laddies to it. Grass was burning all around it, she said. It was scary! It could have lit the woods on fire and burned down all our houses if she hadn’t located it right away. It was scary. The volunteer fire department put it out and chopped up the tree with chainsaws to make sure the fire didn’t lie down overnight, to spring up again the next hot dry day with a breeze.

It happens sometimes that a fire lies down in a snag or a hollow and smolders for hours or days before just the right wind ignites it and literally blows it up into a sudden monster fire, like the Wake Fire outside Paonia in ’94. A guy dutifully went out that night and put out the tree, but it blew up the next morning while the whole community was downtown celebrating July 4th at the Cherry Days Festival. The fire burned 6000 acres and three homes in just two days, at that time the fastest fire on record in the state.

Or just across the mesa in ’05 when a ditch burn crept into a stump and lay down for days after the rancher thought he’d extinguished it. Ladies started arriving for a Clothes Exchange, and when I greeted them at the gate after setting up the patio, they said What’s that behind you? A thick plume of black smoke rose beyond the trees. A dozen women ate and drank and tried on each others’ cast-off clothing as a helicopter hauled water from the reservoir and the slurry plane flew overhead. We were half naked anyway and flashed our tops. The pilot dipped his wing. Ellie called to report that a half dozen more guests were turned away at the fork in the road, the mesa was closed at all roads leading in, and we might be evacuated in ten minutes. There was a scramble to load up the Mothership with pets and valuables just in case.

The day after Cynthia’s Tree burned up, a gullywasher, a real Florida frog choker my visitor called it, dumped half an inch in half an hour, with only a few thunderclaps and lightning bolts in the distance. The monsoons are upon us. That evening we went down the road for dessert. It was a relief to know the smoke that greeted us came from the fire in the metal pit that would toast our marshmallows, on a perfect cool summer night in the warm company of our million dollar neighbors.

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Gourmet s’mores made with Lindt salted caramel chocolate, pre-melted in a skillet in the fire.

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Neighbors, Strangers, and Friends

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Setting aside bugs and bees for awhile, this summer I spent a great deal of time preparing a show for the Creamery Arts Center in Hotchkiss. Over the past two years, as Senior Outreach Coordinator for the non-profit artits’ cooperative, I have accomplished two things. Initially I set in place a rotation of Creamery volunteer artists to visit various senior centers and homes, coordinating with their respective activities directors, and bringing demonstrations and workshops to location bound seniors. Earlier this year, I gave up the coordinator position to another volunteer in order to pursue the second facet of the Creamery’s outreach program, honoring and showcasing some of the community’s senior citizens through art.

Now through October 7, the Creamery features an audio-visual installation, “Neighbors, Strangers, and Friends,” celebrating the rich history of the North Fork Valley through the voices of nineteen community elders, and their portraits by me! I had so much fun doing this project, and I want to thank everyone who consented to be interviewed, and everyone who helped and, especially North Fork Valley Heart and Soul for their support. A year and a half ago, I put the word out that I wanted to interview people over sixty-five who had lived in the valley all their lives or who had chosen to come to it later.  At first I didn’t get a lot of response, and I also felt kind of awkward asking strangers to open up to me like that. It took awhile, but eventually one person would suggest another, who would suggest another, and so on. I enlisted a few friends. I heard a lot of wonderful stories. Everyone has stories that other people can enjoy and learn from. Sometimes it just takes someone wanting to hear them.

The exhibit includes a soundtrack that loops from the introduction of these unique voices through their stories of pioneer days, the Depression era, fruit history, historic floods and fires, and more, to thoughts on life, love, aging, dying and death. Individual voices and stories are woven chronologically and topically through a two and a half hour trajectory that is a work of art in itself.

I hope people will bring their knitting or a cup of coffee, or get an ice cream up front, and come set a spell in the gallery; listen to these stories of valley lore and unique personal experiences, and enjoy looking around the room at these wonderful faces so full of life. You’ll see some of your own friends and neighbors, and probably some strangers as well. The soundtrack plays through a vintage-looking Cathedral radio, and if it’s not loud enough, please turn it up so you can hear it comfortably. The volume is the round knob on the left front. There are plenty of comfy seats.

We all have stories. Some of us have a lot of stories, and some of us have one defining story, but all of us have stories within the stories of our lives.  I feel like I’ve helped some people to tell their stories. I hope they’re happy with the results. These people started out for me as neighbors, strangers, and friends. Today, I feel so honored that these women and men have entrusted their stories to me, and so grateful for their candor, their humor, their trust. I think of them all as friends, those I’ve known for 20 years, and those I recently met through this project. Each person who participated will receive their portrait from the display, and also a DVD of their video interview. A common refrain in the interviews was, “I wish I had asked mama (or dad, or grandmother…) about that.” Now the families of these elders will be able to learn from and celebrate them and their wisdom for years to come.

Throughout human existence, elders have been revered for their wisdom, the insights that simply being human for a long time has given them. We’ve lost some of that reverence in our culture over the past half century or so. I’ve seen it go since I was little. Our parents and grandparents, aunts and uncles, neighbors and friends, when they get old, they sometimes get forgotten, and they have so much to offer those of us coming up after them, learning what it means to be human, which is a long, complicated endeavor; whether we follow in their footsteps or outside their boxes, our elders have a lot to keep giving to our community. Here, everywhere in our country, older people get forgotten in our culture. The wisdom and the being of people in their seventies, eighties, nineties, is such an important balance to the energy we focus on youth and doing. Our culture focuses too much on youthful beauty, on spending energy externally in getting and achieving.

Please come to the show and join me in celebrating your friends and neighbors, none of them really strangers, just neighbors you haven’t yet met. Please ask your parents and grandparents, if you are still able, about your history, your own story. Please pay attention to your elders, all of them, your family, your neighbors, your friends. “Neighbors, Strangers, and Friends” is on display at the Creamery Arts Center, 165 West Bridge Street in Hotchkiss, Colorado. Summer hours are Monday – Saturday from 11 a.m. – 6 p.m.